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Caroline Thireau: Creative technologist and workflow designer who builds creative processes end to end: video pipelines and content factories on node-based

Appeared at Warsaw Glitch 2026 in 2 programme slots: “Nouvelle Vague 2.0 - French AI Scene Showcase” (Friday, Aug 28, 16:00, ACADEMY), “THIS AI’NT A MAN’S WORLD” (Saturday, Aug 29, 13:10, MAIN STAGE).

Warsaw Glitch newsroom1 min read

Who

Caroline Thireau

Creative Technologist · Educator

Creative technologist and workflow designer who builds creative processes end to end: video pipelines and content factories on node-based systems. Since 2023 she has been testing and documenting emerging generative AI tools in newsletters, magazine articles, interviews, livestreams and hackathons, in France and abroad. She works as a beta tester and creative partner with leading AI platforms, and represents the French creative AI scene internationally, bringing back to it what she learns on the way.

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ProgrammeTHIS AI’NT A MAN’S WORLDSaturday, Aug 29, 13:10-13:40, MAIN STAGE, Teatr Szóste Piętro · Palace of Culture and Science. The Revolution Is a WomanRead more Line-upMeggie Miao: A creative producer and content executive, twice a Daytime Emmy winner during her years at CBS News Sunday MorningAppeared at Warsaw Glitch 2026 in 2 programme slots: “Morning show: a masterclass in TV production” (Saturday, Aug 29, 11:00, MAIN STAGE), “THIS AI’NT A MAN’S WORLD” (Saturday, Aug 29, 13:10, MAIN STAGE).Read more Line-upMargarita Grubina: Vice President of Business Growth at Respeecher, the Emmy-winning AI voice technology company trusted by studios such as Disney, UniversalAppeared at Warsaw Glitch 2026 in 2 programme slots: “WHO OWNS YOUR FACE? WHO OWNS YOUR VOICE?” (Saturday, Aug 29, 12:05, WARSAWJS), “THIS AI’NT A MAN’S WORLD” (Saturday, Aug 29, 13:10, MAIN STAGE).Read more ProgrammeNouvelle Vague 2.0 - French AI Scene ShowcaseFriday, Aug 28, 16:00-17:00, ACADEMY, Warsaw Presidential Hotel. A showcase of the French AI scene: creators and specialists present their work, one company gives a demo, and then the room asks questions. The French market is building its own language and its own institutions around generative production, so this is a chance to see a different approach to the same tools, in a country where cinema holds a different position and different funding than here.Read more