Line-up

The Final Call has its cast: Michal Pronobis-Pronski of cAIsting.ai, Lukasz Klimkiewicz of Taifun and Tomek Okulicz of AIVisioLab.

On Fri­day at 13:00 on the GLITCH stage a cast­ing runs live, from the first scan to a signed li­cence. Prono­bis-Pron­s­ki spent more than a quar­ter of a cen­tu­ry on the client side at IKEA Poland and now leads the busi­ness side of cAIsting.ai. Klimkiewicz builds the back­end and the gen­er­a­tive pipelines be­hind the plat­form, with foren­sic wa­ter­mark­ing and AI Act-com­pli­ant prove­nance la­belling. Okulicz is a com­mer­cial di­rec­tor and pro­duc­er who has made AI-dri­ven work for NASK, Or­ange, Auchan and McDonald's.

Warsaw Glitch newsroom1 min read

In the programme

Friday, Aug 28 · 13:00-14:00 · GLITCH · Warsaw Presidential Hotel · in Polish

THE HUMAN FACE OF ARTIFICIAL INTELLIGENCE, SPONSORED BY CAISTING AI

Setting the standard for safe and ethical likeness licensing in AI productions

An hour on working with human likeness in AI production, legally and safely. Michał Pronobis-Proński (cAIsting.ai) takes the client's view: what brands and agencies are risking and how casting, licensing and talent payouts in one catalogue turn that risk into peace of mind. Łukasz Klimkiewicz (Taifun) shows how generative characters are made and labelled. Tomek Okulicz (AIVisioLab) looks at how AI is changing film professions. No end-of-the-industry visions: working solutions and a place for people.

  • The grey zone: what brands and agencies are risking today
  • Casting, licensing and royalties in a single catalogue
  • How generative characters are made and labelled
  • What AI is changing in film professions

Live debate

cAIsting.ai is a Polish platform for licensed digital likenesses for advertising. Beyond digital twins, the faces of specific real people, it builds synthetic characters: new likenesses composed of traits from several people, unlike any one of them. Every piece of content featuring a digital face is machine-marked using the C2PA standard, with the mark tied to a specific license. A character from the catalog is therefore not an anonymous image, but an auditable digital identity with a documented chain of provenance. We design the production process around the obligations set out in the AI Act regarding the labeling of AI-generated content. The platform features only faces backed by a contract, compensation, and a verified person's informed consent. The technology behind it is built by the studio Taifun: its tech lead and software architect, Łukasz Klimkiewicz, builds the backend and generative pipelines, including forensic watermarking and AI Act-compliant content provenance labelling. On the business side the company is represented by Michał Pronobis-Proński, its Business Lead, who spent more than a quarter of a century on the client side at IKEA Poland, responsible for brand positioning and communication platforms. At the festival cAIsting.ai sponsored the panel The Human Face of Artificial Intelligence, an hour in the GLITCH room on working with human likeness in AI production, legally and safely, with Pronobis-Proński, Klimkiewicz and Tomek Okulicz of AIVisioLab.

Who's on stage

Michal Pronobis-Pronski

Business Growth · Strategy · Poland

Business Lead at cAIsting.ai. More than a quarter of a century on the client side at IKEA Poland, where he was responsible for brand positioning and communication platforms, including the one that still forms the backbone of the brand's communication in Poland. He launched the IKEA Second-hand platform on the Polish market. At cAIsting.ai he leads the business and communication side: translating technology into the language of brands, and making sure that what the industry promises can actually be delivered.

Lukasz Klimkiewicz

Software Architect · Engineer · Poland

Tech Lead & Software Architect at Taifun. Builds the backend and generative pipelines behind cAIsting.ai — a platform for licensed AI identities featuring forensic watermarking and AI Act-compliant content provenance labeling. Previously spent nearly a decade building tools and automation for VFX, post-production and media.

Tomek Okulicz

Creative Director · Director · Poland

AI Creative Director at AIVisioLab, a commercial director and producer who has spent years combining traditional filmmaking with new technologies. He works across TV campaigns, digital content and branded content, increasingly using AI as a tool to support both the creative and the production process. He has worked on AI-driven projects for brands and organisations including NASK, Auchan, Opoczno, Orange, GLS, Leroy Merlin, MG Motors and McDonald's.

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